丝印代码：HT5011；24-Bit, 192kHz Stereo D/A Converter

文件：586.54 Kbytes Page：4 Pages

24-Bit, 192kHz立体声D/A转换器

\n HT5010/1/2系列产品是一款低成本的立体声DA转换器，内部集成了内插滤波器、DA转换器和输出模拟滤波等电路。其可支持多种音频数字输入格式，最大支持24-bit字节。\n 该系列产品基于一个多比特位的Δ-Σ调制器，将数字信号转化成两个声道的模拟信号并经过模拟滤波器滤波。该Δ-Σ调制器对时钟抖动的敏感度很低，且在带宽范围外具有极低的噪声。其还可使用采样率和主时钟比作为自采样率（2kHz – 200kHz），从而实现自动检测采样频率的功能。\n 该系列产品还集成了数字去重，3.3V单电源供电，无需外部SCLK，简化了外围电路，适用于DVD、数字电视、家庭影院 • 支持多种音频数字输入格式, 最大支持24-bit字节\r\n• 可自动检测采样频率，最高192kHz\r\n• 105dB动态范围\r\n• -90dB THD+N\r\n• 集成多比特位的Δ-Σ调制器\r\n• 支持3.3V单电源供电\r\n• 具有强抗时钟抖动能力\r\n• 内部集成输出滤波\r\n• 集成数字去重，外部无需SCLK\r\n• 输出pop声抑制\r\n• MSOP10封装;

2 Pair/1 Pair ETSI Compatible HDSL Analog Front End

GENERAL DESCRIPTION The AD5011 is an analog front end for two pair or single pair HDSL applications that use 1168 kbps or 2.32 Mbps data rates. The device integrates all the transmit and receive functional blocks. A standard serial interface is used to communicate with the DAC and ADC. The filter

2 Pair/1 Pair ETSI Compatible HDSL Analog Front End

GENERAL DESCRIPTION The AD5011 is an analog front end for two pair or single pair HDSL applications that use 1168 kbps or 2.32 Mbps data rates. The device integrates all the transmit and receive functional blocks. A standard serial interface is used to communicate with the DAC and ADC. The filter

Virtual Ground Analog Switch

Description The IH5009 series of analog switches were designed to fill the need for an easy-to-use, inexpensive switch for both industrial and military applications. Although low cost is a primary design objective, performance and versatility have not been sacrificed. Each package contains u

NPN (COLOR TV HORIZONTAL OUTPUT APPLICATIONS)

COLOR TV HORIZONTAL OUTPUT APPLICATIONS (DAMPER DIODE BUILT IN) High Collector-Base Voltage VCBO=1500V

Zener Diode, 300mW 짹5 Tolerance

Features: Zener Voltage 3.3V to 24V SOT–23 Type Surface Mount Package Absolute Maximum Ratings: Maximim Repetitive Peak Forward Current, IFRM . . . . . . . . . . . . . . . . . . . . . . . . . . 250mA Maximim Repetitive Peak Working Current, IZRM . . . . . . . . . . . . . . . .